Poster Child

Album: Unlimited Love (2022)
Play Video

Songfacts®:

  • Over Flea's funky bassline and John Frusciante's wah-filtered guitar, Anthony Kiedis rattles off a huge list of music artists. Beginning with "Melle Mel and Richard Hell were dancing at the Taco Bell," he then references:

    Adam Ant
    Robert Plant
    Parliament
    Led Zeppelin
    Thin Lizzy
    Thompson Twins
    The Ramones
    Judas Priest
    Steve Miller
    Duran Duran
    Van Morrison
    MC5
    Motörhead
    John Coltrane
    Michael Jackson
    Flavor Flav
    Chubby Checker
    Talking Heads
    M.I.A.
    Jane's Addiction
    Sid Vicious

    Kiedis also namechecks a host of other pop culture icons, including Ulysses Grant, the Sandinista Popular Army, Mona Lisa, bubble gum, Caddyshack, and Creem magazine.
  • During the chorus and refrain, Kiedis takes his place alongside the other icons. Despite his crazy lifestyle, he sees himself as a "poster child" as, at least for a while, his music becomes the listener's world.
  • Rather than choosing musicians and pop icons he particularly admires, Kiedis wrote the rapid-fire lyrics around his bandmates' instrumentation. He centered the names and rhymes on matching the song's funky rhythm, a style the Chili Peppers frontman often adopts; "Can't Stop" and "By The Way" are two other examples from the band's catalog.
  • For a similar Chili Peppers song where Kiedis lists some of his favorite things and people, check out "Mellowship Slinky In B Major."
  • Red Hot Chili Peppers released "Poster Child" as their second single from Unlimited Love on March 4, 2022. The album saw the band reunite with longtime producer Rick Rubin after Danger Mouse produced their previous record, The Getaway.
  • The origins of "Poster Child" lay with a funk groove Flea had been playing on the bass. "I had been spending a lot of time in South Los Angeles and Watts during the writing and making of this album and got involved in that community," he told I Like Your Old Stuff. "And there was one woman that I had met there named Faye, my wife and I were friends with her and would kind of hang out with her on her stoop and talk, getting a feeling from her and from being there. And came back to rehearsal one day after hanging out there, had this rhythm in my head that just kind of resonated with my experience there and started playing that."

    Once Flea shared the funk groove with his bandmates, they added the other instrumentation and Kiedis came up with his rap, "going through this completely psychedelic world of words and storytelling."

Comments: 1

  • Sonja from MauiHow many words are in this RHCP song Poster Child?
see more comments

Editor's Picks

Chrissie Hynde of The Pretenders

Chrissie Hynde of The PretendersSongwriter Interviews

The rock revolutionist on songwriting, quitting smoking, and what she thinks of Rush Limbaugh using her song.

Evolution Of The Prince Symbol

Evolution Of The Prince SymbolSong Writing

The evolution of the symbol that was Prince's name from 1993-2000.

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

Susanna Hoffs - "Eternal Flame"

Susanna Hoffs - "Eternal Flame"They're Playing My Song

The Prince-penned "Manic Monday" was the first song The Bangles heard coming from a car radio, but "Eternal Flame" is closest to Susanna's heart, perhaps because she sang it in "various states of undress."

Allen Toussaint - "Southern Nights"

Allen Toussaint - "Southern Nights"They're Playing My Song

A song he wrote and recorded from "sheer spiritual inspiration," Allen's didn't think "Southern Nights" had hit potential until Glen Campbell took it to #1 two years later.

Chris Robinson of The Black Crowes

Chris Robinson of The Black CrowesSongwriter Interviews

"Great songwriters don't necessarily have hit songs," says Chris. He's written a bunch, but his fans are more interested in the intricate jams.