
Debbie Gibson was 17 years old when "Foolish Beat" topped the Hot 100. This gave her the honor of becoming the youngest artist ever to write, perform, and produce a #1 single.
"Ain't Nobody" by Rufus & Chaka Khan was one of the first big hits to use a sequencer, which is how that distinctive keyboard loop was created. The song almost landed on Michael Jackson's Thriller album, but the group decided to keep it.
"Tammy" by Debbie Reynolds was the only US #1 single by a female act between July 1956 and February 1958.

The instrumental "YYZ" by Rush got its title from the transmitter code for Lester B. Pearson International Airport in Toronto, near where the band is from.

"Instant Karma" is one of John Lennon's most hopeful songs, written and recorded in one day at a time when he felt people were pulling together in a positive direction.

At the end of AC/DC's "Night Prowler," you hear Bon Scott say, "Shazbot, Nanu Nunu." Those were Robin Williams' sayings on his TV show Mork & Mindy. Scott was a big fan.
Whether he's splitting ears or burning Nazis, Quentin Tarantino uses memorable music in his films. See if you can match the song to the scene.
Charlie discusses the songs that made him a Southern Rock icon, and settles the Devil vs. Johnny argument once and for all.
Dwarfs on stage with an oversize Stonehenge set? Dabbling in Satanism? Find out which Spinal Tap-moments were true for Black Sabbath.
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
The leader of the Modern A Cappella movement talks about the genre.
Phone booths are nearly extinct, but they provided storylines for some of the most profound songs of the pre-cell phone era.