
The songs on Lady Gaga's The Fame Monster album represent a "fear" of some "monster." "Alejandro" is her "fear of sex" monster.

Radiohead's "Paraonid Android" was written after a confrontation in a Los Angeles bar with an irate woman.

Otis Redding often ad-libbed vocals at the end of songs, but for "(Sittin' On) The Dock Of The Bay" he just whistled instead - it became some of the most famous whistling in song history.

Katy Perry co-wrote Iggy Azalea's hit single "Black Widow." Perry was originally going to sing on the track, but she couldn't fit it into her schedule, so Rita Ora provided the sung vocals instead.

When the Velvet Underground song "Heroin" got screechy, Maureen Tucker stopped drumming, figuring it would bust the take, but her bandmates kept going. You can hear it at the 5:20 mark.

"Mr. Roboto" by Styx was written by their keyboard player, Dennis DeYoung, who used Japanese words and imagery to create an allegory about censorship.
Chris and his wife Tina were the rhythm section for Talking Heads when they formed The Tom Tom Club. "Genius of Love" was their blockbuster, but David Byrne only mentioned it once.
Call us crazy, but we like it when an artist comes around who doesn't mesh with the status quo.
One of Canada's most popular and eclectic performers, Hawksley tells stories about his oldest songs, his plentiful side projects, and the ways that he keeps his songwriting fresh.
Pool balls, magpies and thorns without roses - how well do you know your Tom Waits lyrics?
The "Lowdown" and "Lido Shuffle" singer makes a habit of playing with the best in the business.
Foreigner's songwriter/guitarist tells the stories behind the songs "Juke Box Hero," "I Want To Know What Love Is," and many more.