Same Ole Me

Album: Still the Same Ole Me (1982)
Play Video

Songfacts®:

  • In this song, a couple have grown old together, but their love hasn't aged. He's the "same ole me," loving her just like when he first fell for her.

    By this time, George Jones had been married and divorced three times, most recently to Tammy Wynette. But he had met Nancy Sepulvado, who became his fourth wife in 1983. This one took: They were married until Jones died in 2013. He credited her with saving his life by helping him kick his drug and alcohol addictions. The song went to #5 on the Country chart and hit #1 on the Canadian Country chart.
  • "Same Ole Me" was the first hit song written by Paul Overstreet, who went on to become one of the top songwriters in Nashville. Overstreet's credits include "When You Say Nothing At All" (Keith Whitley), "Forever And Ever, Amen" (Randy Travis) and "She Thinks My Tractor's Sexy" (Kenny Chesney). Overstreet also became a successful solo artist, with hits that include "Seein' My Father in Me" and "Daddy's Come Around." He often performed "Same Ole Me" and included it on his 1999 album A Songwriters Project, Volume 1.
  • The Oak Ridge Boys sang backup on this track and also convinced Jones to record it. In a Songfacts interview with Paul Overstreet, he told the story:

    "I had gone down to Mississippi for a while and I was staying at my brother's house. I lived with him my last two years in high school. I lived with his family and played football in Prentiss. That town closes up at sundown, but the parties are outside of town at people's houses or out in the woods. I was bored, so I went in the living room and sat down. My nephew came in, lay on the couch and went to sleep. The dog was laying on the floor asleep. And for the first time, I actually saw the song, saw the beginning, middle, and end. So I just wrote what I saw.

    Eddie Rabbitt used to tell me about that. He'd go, 'You know how you see a song, you see the beginning, middle and end?' And I'd go, 'No.'

    Sometimes I'd write songs and didn't know how they were going to end. But on that one, I saw it, and I just wrote what I saw. When I went to Nashville I played it for Tony Brown one day and he said, 'We gotta demo that.' I didn't think there was that much to it. I read the lyrics to my brother on the way to the airport the next day, and he said, 'I don't really hear anything.' So I was surprised when Tony wanted to demo the song. The Oak Ridge Boys took it to George's producer and said, 'You always said if we thought we had a song for George that you'd record it. Well, if you record it, we'll sing the backgrounds.' That was how it happened."

Comments

Be the first to comment...

Editor's Picks

How The Beatles Crafted Killer Choruses

How The Beatles Crafted Killer ChorusesSong Writing

The author of Help! 100 Songwriting, Recording And Career Tips Used By The Beatles, explains how the group crafted their choruses so effectively.

Jimmy Jam

Jimmy JamSongwriter Interviews

The powerhouse producer behind Janet Jackson's hits talks about his Boyz II Men ballads and regrouping The Time.

Harry Wayne Casey of KC and The Sunshine Band

Harry Wayne Casey of KC and The Sunshine BandSongwriter Interviews

Harry Wayne Casey tells the stories behind KC and The Sunshine Band hits like "Get Down Tonight," "That's The Way (I Like It)," and "Give It Up."

Edie Brickell

Edie BrickellSongwriter Interviews

Edie Brickell on her collaborations with Paul Simon, Steve Martin and Willie Nelson, and her 2021 album with the New Bohemians.

Timothy B. Schmit

Timothy B. SchmitSongwriter Interviews

The longtime Eagle talks about soaring back to his solo career, and what he learned about songwriting in the group.

Tim Butler of The Psychedelic Furs

Tim Butler of The Psychedelic FursSongwriter Interviews

Tim and his brother Richard are the Furs' foundation; Tim explains how they write and tells the story of "Pretty In Pink."