Madwoman

Album: A Matter of Time: The Final Hour (2026)
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Songfacts®:

  • "Madwoman" finds Laufey slipping back into a relationship she knows is bad for her, capturing the specific kind of "madness" where you clearly see the red flags but walk toward them anyway.
  • The song is about toxic attraction and self-aware romantic obsession - Laufey calls it a "terrible idea" in the first line, fully aware the relationship is chaotic and damaging, but still can't resist the pull. She describes a partner who belittles and manipulates her, yet remains "hypnotizing," making her feel as though she's being held for ransom.
  • The title "Madwoman" points to a very specific kind of "madness." Not confusion, but the coexistence of clarity and desire; she knows this relationship will go "up in flames," swears she'll say "no more," and still wants him. It echoes themes that run through Laufey's catalog, from the wistful, unrequited longing of "From The Start" to the resigned vulnerability of "Let You Break My Heart Again." But "Madwoman" removes the last polite objection and dives back in anyway.
  • There's no confirmed real-life muse behind the song, though Laufey has said she often draws from personal experience. As with many of her lyrics, it is likely semi-autobiographical rather than a purely fictional character sketch.
  • "Madwoman" has a flirty '60s-era bossa nova feel: soft, swaying rhythm, jazz-pop harmonies and a light touch that contrasts sharply with the heaviness of the lyrics. It's one of the most striking examples of Laufey wrapping emotional contradiction in the softest of sounds – a gentle, elegant track that hides a very messy attachment underneath.
  • The song appears on A Matter of Time: The Final Hour, the deluxe edition of her album A Matter of Time. It sits a little apart from the main album by leaning harder into the push-pull of toxic desire while still matching the record's lush, cinematic jazz-pop palette.
  • Laufey wrote and produced the song with frequent collaborator Spencer Stewart, continuing the partnership that started with her 2022 debut, Everything I Know About Love.
  • The music video, directed by Warren Fu (Dua Lipa, The 1975), leans into a retro '60s–'70s glamor, staging the drama at a swimming-pool party full of slow-burn intrigue. It stars Olympic champion figure skater Alysa Liu, Megan Skiendiel of Katseye, and actors Hudson Williams (Heated Rivalry) and Lola Tung (The Summer I Turned Pretty). One standout moment - destined for GIF immortality - arrives when an exasperated Laufey slaps Williams across the face with a fish, sending him tumbling dramatically into the pool.
  • Laufey made a deliberate casting choice to feature predominantly Asian talent in the video. "Growing up, I felt a general lack of representation for people who looked like me in music and media," she said. "With the 'Madwoman' video, I wanted to be that representation. The result is what honestly feels like my absolute dream video and exactly what younger Laufey would have loved to see."
  • Laufey debuted "Madwoman" live on April 12, 2026, during her Coachella set at the festival's Outdoor Theatre, one day after releasing the deluxe edition of A Matter of Time.
  • Laufey personally invited Hudson Williams to co-star in the clip via DM, jokingly asking if he wanted to be in a music video and "get slapped by a fish."
  • The fish scene in the "Madwoman" video required multiple takes and is full of improvised insults. "I'm not a very angry person but it felt good to scream and shout," Laufey told the BBC. "I dug into my deepest memories of when I've been the most wronged by men and I accessed a part of myself I didn't know I had in me. It felt very primal."

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