In a 1994 BBC Radio Interview, Cohen remarked: "The problem with that song is that I've forgotten the actual triangle. Whether it was my own - of course, I always felt that there was an invisible male seducing the woman I was with, now whether this one was incarnate or merely imaginary I don't remember, I've always had the sense that either I've been that figure in relation to another couple or there'd been a figure like that in relation to my marriage. I don't quite remember but I did have this feeling that there was always a third party, sometimes me, sometimes another man, sometimes another woman. It was a song I've never been satisfied with. It's not that I've resisted an impressionistic approach to songwriting, but I've never felt that this one, that I really nailed the lyric. I'm ready to concede something to the mystery, but secretly I've always felt that there was something about the song that was unclear. So I've been very happy with some of the imagery, but a lot of the imagery."
Cohen's songs inspired Canadian artist Elizabeth Laishley to create pieces called "Famous Blue Raincoat" and "Homage to Leonard Cohen." In 1999 Laishley held an exhibit of her Cohen inspired art in Calgary, Canada, entitled "Poetry and Songs of Leonard Cohen."
Suggestion credit: Shannon - Kathleen, GA, for all above
Ron Cornelius played guitar on this album and was Cohen's band leader for several years. Here's what he told Songfacts about this track: "We performed that song a lot of places. Typically gardens in Copenhagen, the Olympia Theater in Paris, the Vienna Opera House. We played that song a lot before it ever went to tape. We knew it was going to be big. We could see what the crowd did - you play the Royal Albert Hall, the crowd goes crazy, and you're really saying something there. If I had to pick a favorite from the album, it would probably be 'Famous Blue Raincoat.' I ran his band for four years all over the world and played on four of his albums, and hands down the best one was Songs Of Love And Hate. We worked 18 months on that album, Paul Buckmaster did the strings in London, and I went to London nine times recording that album."
Paul Buckmaster did the string arrangements on this track. Ron Cornelius told us about him: "Buckmaster is a wonderful string arranger, he did Elton John's records, he's just one of these guys who can make an orchestra talk. In other words, if the strings aren't saying something, it ain't on the record. On that album we cut basic tracks, and then let him live with them for a couple of months while he was writing the orchestrations. Then we went back in there, put the strings on and worked for a couple of weeks. Paul Buckmaster is a genius, no doubt in my mind. To be able to do the songs on Love And Hate, he had to take those songs and let them get into him and be creative enough to come in with those killer arrangements."
Regarding the orchestra, Cornelius said: "In London these guys are all 50, 60, 70 years old, and they're all dressed nicely in a string section with cellos and oboes and stuff, and they've got their little lunch pails by them. When it comes time for lunch, I don't care what you're doing, you have to stop and they all take their little lunch pails, take their lunch, then fire back up again."
Cohen's version is sung from the perspective of a man discussing with another man a woman they both had a relationship with. Many female artists have managed to flip the gender and make the song even more ambiguous. Joan Baez, Tori Amos, Laurie MacAllister and Jennifer Warnes are some of the artists who have covered this song. In 1987, Warnes released an entire album of Cohen's songs called Famous Blue Raincoat before contributing to the hit "(I've Had) The Time of My Life" later that year.
Cohen said in a 1993 issue of Song Talk: "I thought that Jennifer Warnes' version in a sense was better because I worked on a different version for her, and I thought it was somewhat more coherent. But I always thought that that was a song you could see the carpentry in a bit. Although there are some images in it that I am very pleased with. And the tune is real good. But I'm willing to defend it, saying it was impressionistic. It's stylistically coherent. And I can defend it if I have to. But secretly I always felt that there was a certain incoherence that prevented it from being a great song."
Jennifer Warnes was a backup singer for Cohen in the early '70s and did her part to bringing Cohen to renown in America in the '80s, which happened after the release of his 1988 album I'm Your Man.
You might hear traces of this song in the 1977 Leo Sayer hit "When I Need You." Cohen sued that song's writers, eventually reaching a settlement.
Adavid Kynaston's book Modernity Britain: Book Two: a Shake of the Dice, 1959-62 states that a young Canadian writer named Leonard Cohen bought a not-yet-famous blue raincoat at Burberry's in Regent Street, London one dank December day in 1959.
Jennifer Warnes singles this out as one of Cohen's best melodies. "Leonard is not known for his great melodies, but he actually is a great melody writer," she told Songfacts. "If you take the words off and just listen to the melodies, he's really, really good. It's just not known, because we're so distracted by the poetry."
Jon from New York, NyMr. Cohen was a talented, experienced, and serious poet who knew and studied the use of the various types of formal meter. It is what many songwriters today lack. He used the metrical foot Amphibrach in Famous Blue Raincoat. A long syllable with soft ones on both sides. It has a plodding rhythm which makes it feel like someone walking slowly and heavily, plodding sadly along. "It's 4 in the morning..." He obviously can't sleep. As anyone who has been through a triangle (I have), it just guts you. The person is not the person you knew anymore whether they come back or not: "she is nobody's wife anymore..." And, "Jane sends her regards..." can be read like a secret code, a wink, between her and the lover...The song is brilliant and devastatingly effective. Interesting, Cohen said the song wasn't as clear as he would have liked. Of course it isn't. The line "did you ever go clear"... I would read that as his unconscious mind telling him that the entire situation is and always will be unclear--forgetting the literal Scientology reference. Cohen works on many levels. Triangles form the least stable of all communication types, and they are never entirely clear--that is why it is used in drama all the time. Alliances are always shifting in triangles.
P from Chicago, IlLloyd Cole does a remarkable cover of this remarkable song.
Dale from Augusta, GaActually had this happen to me with my first wife. Except that she didn't stay with me. So this song, if you'll pardon the pun, stikes a real chord with me. Cohen is incredible. He's not a singer, he's a poet who sings.
Ben from St. Louis, MoSuch a great, sad song. Even though his best friend took his woman away, he recognizes that she wasn't happy with him to begin with. "Yes, and thanks, for the trouble you took from her eyes. I thought it was there for good so I never tried." Love it.
Robert Campion from Galway, IrelandIs "Ron Cornelius" contributing to this thread personally, otherwise I can't imagaine why we are hearing so much about him ??
Scott from Los Angeles, CaTori Amos does a version of this song as a b-side at least one of her singles, and she performs it in concert regularly. Scott Los Angeles
Dan from Sydney, AustraliaI agree with Joanie about the "flake of your life" line. Absolutely brilliant and the devastation of it is literally soul crushing. The fact that a mere "flake" of the other man was enough to make Cohen's woman happier than he could ever hope to make her himself. Just put yourself in those shoes with a relationship you may be in and consider how it would feel...
Senorita from Canada, Canada"Famous Blue Raincoat" is from the point of view of a man whose marriage has been broken by his wife's infidelity with his close friend, and is written in the form of a letter from "L. Cohen" to a mysterious unidentified "you," who seems to have been involved in a love triangle with Cohen's woman.
Joanie from Bowling Green, KyWhat a line: "You treated my woman to a flake of your life, and when she came home, she was nobody's wife". A great writer who wears it well.
Gilbert from Madison, WiI wonder if the letter is symbolic of a relationship between two persona, maybe the older and the younger or the artist and the conformist, both fighting to exist within one man. Two people rather than three complete the triangle. If I Listen to the lyric with the notion that Cohen is writing to himself the song seems to fit quite nicely. I believe Mr. Cohen is genius unrivaled among his contemporaries.
Frank Nico from Kassel, GermanyIt's been now nearly 12 months since you´ve left me and I think this song is more than I could say about how I feel about this fact. Though you will never read this words, I´m glad to had you in my life. I´m sure that you will never cross this song - how sad! Keep your "famous blue raincoat" and grow old! Bye baby!
Geri from Nova Scotia, CanadaReally, when you listen to the lyrics (or rather poems)of his songs, there is the obvious sexual tension to the words but more so than that his intelligence and philosophy touches you on a much deeper level than the fact that his appeal to women is incredibly irresistible. A firend of mine remembers him from his early days in Montreal and recalls his almost hypnotic charm on the female of the species, he had woman following him everywhere.