You can't copyright a title, and Prince songs make perfectly acceptable cake flavors (although we're always a little wary of purple food). We hear this one comes out Soft and Wet.
"Every Breath You Take" by The Police feels like a love song, but a careful listen reveals it's about a stalker. Sting called it "a nasty little song, really rather evil. It's about jealousy and surveillance and ownership."
Dr. Luke and Max Martin originally wrote Kelly Clarkson's "Since U Been Gone" with Pink in mind but she turned it down.
Rachel Platten refused to talk politics when her "Fight Song" became the anthem for Hillary Clinton's 2016 presidential campaign, a decision she came to regret.
Don McLean's "American Pie" starts in mono and gradually goes to stereo. It isn't full stereo until the end of the song, which is over 8 minutes long.
The Hall & Oates hit "Everything Your Heart Desires" has no rhymes.
U2's "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever was nominated for both a Golden Globe for Best Original Song and a Razzie for Worst Original Song.
Songs that seem to glorify violence against women are often misinterpreted - but not always.
On "Life Is A Highway," his burgeoning solo career, and the Rascal Flatts song he most connects with.
The powerhouse producer behind Janet Jackson's hits talks about his Boyz II Men ballads and regrouping The Time.
Collaborating with T Bone Burnett, Leslie Phillips changed her name and left her Christian label behind - Robert Plant, who recorded one of her songs on Raising Sand, is a fan.
When he was asked to write a song for the Singles soundtrack, Mark thought the Seattle grunge scene was already overblown, so that's what he wrote about.
Not everyone can be a superhero, but that hasn't stopped generations of musicians from trying to be Superman.